Quote:
Originally Posted by Ron Clay
Please detail the photographic technique you used.
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Hi Ron/
Just a combination of making it up as I went along and trial and error
Set up was to have the nymph in a plastic Petri dish of water, so only about 8 mm deep water. That worked out well in that you can hardly tell there is any water there. He kept trying to do the goldfish thing of thinking he could swim through the side to the light beyond, so I made a collar out of card and taped that round the dish to give him an opaque background to look at. That quietened him down a fair bit, but I still had to bin at least half a dozen blurry shots for every one where he kept still for the duration of the exposure.
I sat the dish on the windowsill so I could just use diffuse natural light. I put the camera on a tripod aligned vertically above the dish, so the shots are all straight overhead plan views.
Camera is a Canon 40D and Canon EF 100 mm f2.8 macro lens.
All shots taken at f19. I used aperture priority and evaluative metering with 0 EV compensation for the grey background and -1 EV for the black background - in other words I let the background dictate the exposure rather than try to mess about with the awkward nymph on that parameter - that's the one bit where I did know what I was doing
Manual focusing and remote shutter release used. The 2 in the shade were 1.5 and 2 second exposures. The one in the sun was 1/6 sec.
Images taken in RAW mode and processed in ACR 4.3.1.
Hope that helps,
Col